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Allegro appassionato, op.4 (3)Allegro de concert, op.18 (4)
Canon (arr. Donald Fraser) (1)
Canon in D minor (1883) (4)
Dances (2), op.73 (10)
Etude in C sharp minor, op.2 no.1 (arr. for double bass and piano) (1)
Etude in C sharp minor, op.2 no.1 (organ) (1)
Etude in C sharp minor, op.2 no.1 (15)
Etudes (3), op.65 (16)
» no.1
» no.2
Etudes (6) (1)Etudes (8), op.42 (31)
Etudes (12), op.8 (75)
Fantasy for Piano and Orchestra (2)
Fantasy in A minor, op. posth. (4)
Fantasy in B minor, op.28 (23)
Feuillet d'album, op.58 (6)
Feuillet d'album de Monighetti (1889) (2)
Feuillet d'album in F sharp major (1900) (3)
Fuge in E minor (1892) (2)
Fuge in F minor (1888) (1)
Impromptus (2), op.10 (6)
Impromptus (2), op.12 (9)
Impromptus (2), op.14 (8)
» no.1
Impromptus a la Mazur (2), op.7 (5)Le Poeme de l'Extase (The Poem of Ecstasy), op.54 (trans. Sergei Pavchinsky for solo piano) (1)
Le Poeme de l'Extase (The Poem of Ecstasy), op.54 (33)
Mazurka in B minor (1886) (1)
Mazurka in B minor (1889) (3)
Mazurka in E minor, op.25 no.3 (1)
Mazurka in F major (1889) (3)
Mazurkas (2), op.40 (11)
Mazurkas (2), op.posth (1)
Mazurkas (9), op.25 (16)
Mazurkas (10), op.3 (14)
Morceaux (2), op.57 (18)
Morceaux (2), op.59 (12)
Morceaux (3), op.49 (13)
Morceaux (3), op.52 (12)
Morceaux (4), op.51 (19)
Nocturne in A flat major (1884-5) (3)
Nocturne in D flat major, op.9 no.2 for the left hand (19)
Nocturnes (2), op.5 (8)
Piano Concerto in F sharp minor, op.20 (13)
Piano Piece in B flat minor (1887) (1)
Piano Sonata in E flat minor (2)
Piano Sonata no.1 in F minor, op.6 'Marche funebre' (orch. Rogal-Levitsky) (1)
Piano Sonata no.1 in F minor, op.6 'Marche funebre' (14)
Piano Sonata no.2 in G sharp minor, op.19 'Sonata-Fantasy' (28)
» Andante
Piano Sonata no.3 in F sharp minor, op.23 (24)Piano Sonata no.4 in F sharp major, op.30 (33)
Piano Sonata no.5 in F sharp major, op.53 (30)
Piano Sonata no.6, op.62 (12)
Piano Sonata no.7 in F sharp major, op.64 'White Mass' (16)
Piano Sonata no.8, op.66 (11)
Piano Sonata no.9, op.68 'Black Mass' (arr. Gerard Pesson for string quartet) (1)
Piano Sonata no.9, op.68 'Black Mass' (33)
Piano Sonata no.10, op.70 (26)
Piano Sonatas nos.1-10 (7)
Pieces (3), op.2 (37)
Pieces (3), op.45 (23)
Pieces (4), op.56 (16)
Poeme-Nocturne, op.61 (6)
Poeme for piano, op.41 (5)
Poemes (2), op.32 (32)
Poemes (2), op.44 (3)
Poemes (2), op.63 (11)
Poemes (2), op.69 (12)
» no.1
Poemes (2), op.71 (9)Poeme satanique for piano, op.36 (3)
Poeme tragique, op.34 (4)
Polonaise, op.21 (5)
Prelude in C sharp minor, op.9 no.1 for the left hand (18)
Preludes (2), op.27 (10)
Preludes (2), op.67 (10)
» no.1
Preludes (3), op.35 (7)Preludes (4), op.22 (18)
Preludes (4), op.31 (8)
Preludes (4), op.33 (7)
Preludes (4), op.37 (11)
Preludes (4), op.39 (8)
Preludes (4), op.48 (10)
Preludes (5), op.15 (12)
Preludes (5), op.16 (27)
Preludes (5), op.74 (24)
Preludes (6), op.13 (14)
Preludes (7), op.17 (7)
Preludes (24), op.11 (57)
Prometheus, op.60 'The Poem of Fire' (12)
Quasi Valse, op.47 (5)
Reverie, op.24 (5)
Romance in A minor (arr. DC Litago for tenor saxophone and piano) (1)
Romance in A minor (arr. Isserlis) (2)
Romance in A minor (6)
Scherzo, op.46 (3)
Scherzo in A flat major (1886) (1)
Scherzo in E flat major (1886) (1)
Sonata-Fantaisie in G sharp minor, op.posth (4)
Symphonic Poem in D minor, op.posth (1)
Symphony no.1 in E major, op.26 (8)
Symphony no.2 in C minor, op.29 (8)
Symphony no.3 in C minor, op.43 'The Divine Poem' (10)
Valse, op.38 (8)
Valse, op.post. (1)
Valse in D flat major (1)
Variations on a theme of Mlle Egoroff in F minor (1887) (2)
Vers la flamme, op.72 (arr. Andrey Kasparov) (1)
Vers la flamme, op.72 (32)
Waltz in A flat major, op.38 (7)
Waltz in D flat major (1886) (1)
Waltz in F minor, op.1 (5)
Waltz in G sharp minor (1886) (2)
Alexander Nikolayevich Scriabin (E6 January 1872 [O.S. 25 December 1871] – 27 April [O.S. 14 April] 1915) was a Russian composer and pianist. Scriabin's early work is characterised by a lyrical and idiosyncratic tonal language influenced by Frédéric Chopin. Later in his career, independently of Arnold Schoenberg, Scriabin developed a substantially atonal and much more dissonant musical system, which he accorded with his personal brand of mysticism. Scriabin was influenced by synesthesia, and associated colors with the various harmonic tones of his atonal scale, while his color-coded circle of fifths was also influenced by theosophy. He is considered by some to be the main Russian Symbolist composer.
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