With this "colourful" selection of pieces, we intend to give an impression of the diverse repertoire collected in the Turin Tabulature. The motets and liturgical works were most likely intended for performance in church, whereas dances and madrigals were intended more for secular settings: at festivals, celebrations, and for domestic music-making. Toccatas and ricercars could be played in both ecclesiastical and secular settings. (In light of the wide variety of purposes of this repertoire, we utilised a wide variety of instruments.) Thus, in addition to the Marx-Günzer organ, three other stringed keyboard instruments were used: a clavicytherium in southern German design from the 17th century, a virginals after Michael Praetorius (1619), and a harpsichord of a seventeenth-century Italian design.