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The Bassoonist’s Songbook | Chandos CHAN20360

The Bassoonist’s Songbook

£14.67 £13.75

save £0.92 (6%)

special offer ending 28/02/2026

New Item

Label: Chandos

Cat No: CHAN20360

Barcode: 0095115236024

Format: CD

Number of Discs: 1

Genre: Chamber

Expected Release Date: 23rd January 2026

Item is currently due
23rd January 2026.

Order now and we will ship as soon as available.

Contents

Artists

Amy Harman (bassoon)
Tom Poster (piano)

Works

Bach, Johann Sebastian

Viola da gamba Sonata in D Major, BWV1028 (arr. for bassoon and piano)

Coleridge-Taylor, Samuel

Fairy Ballads (5) (arr. for bassoon and piano)

Dutilleux, Henri

Sarabande et cortege

Kern, Jerome

Very warm for May
» All the things you are (arr. for bassoon and piano)

Saint-Saens, Camille

Bassoon Sonata in G major, op.168

Schumann, Clara

Lieder (3), op.12
» no.1 Er ist gekommen (arr. for bassoon and piano)
» no.2 Liebst du um Schonheit (arr. for bassoon and piano)
Lieder (6), op.13
» no.1 Ich stand in dunklen Traumen (arr. for bassoon and piano)

Schumann, Robert

Romances (3), op.94 (arr. for bassoon and piano)

Artists

Amy Harman (bassoon)
Tom Poster (piano)

About

A passionate advocate for the bassoon, Amy Harman is much sought after as a soloist, chamber musician, teacher, and communicator. Appointed solo bassoon of the Philharmonia Orchestra aged twenty-three, she is currently principal bassoon of the Aurora Orchestra and much in demand as a guest principal with leading orchestras in Europe, including Paavo Järvi’s Estonian Festival Orchestra and the Mahler Chamber Orchestra.

Amy writes: ‘The quality in all the musicians I have loved is the ability to make their instruments sing – to make a sound that is an extension of their voice and to communicate directly to the souls of their listeners. I was lucky enough to give many recitals during my time sponsored by the Young Classical Artists Trust (YCAT), in my early twenties, and when I was putting together programmes, I was always drawn to either transcriptions of songs or repertoire in which I felt that the bassoon could leave behind its sometimes comedic image and become a voice. I have been even luckier to perform many of these recitals with Tom Poster, and we have over the years narrowed down our favourites to the pieces collected on this album. The Bassoonist’s Songbook is a showcase of the side of the bassoon that I love the most, and I hope that many of you, too, will enjoy the songs that nestle within this beautiful instrument.’

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