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Liszt & Wagner - Lamento e Trionfo | Aeolus AE11481

Liszt & Wagner - Lamento e Trionfo

£27.55

New Item

Label: Aeolus

Cat No: AE11481

Barcode: 4026798114817

Format: Hybrid SACD

Number of Discs: 2

Genre: Instrumental

Expected Release Date: 5th December 2025

Item is currently due
5th December 2025.

Order now and we will ship as soon as available.

Contents

Works

Liszt, Franz

Am Grabe Richard Wagners, S202 (arr. Stephane Mottoul)
Evocation a la Chapelle Sixtine, S658
Fantasia and Fugue on 'Ad nos, ad Salutarem undam' by Meyerbeer, S259
Prelude and Fugue on the name B-A-C-H, S260

Wagner, Richard

Der fliegende Hollander (The Flying Dutchman)
» Overture (trans. organ)
Die Meistersinger von Nurnberg
» Prelude to Act 1 (arr. for organ)
Parsifal
» Good Friday Spell (Karfreitagszauber) (arr. Stephane Mottoul)
» Prelude (trans. organ)
Tristan und Isolde
» Isolde's Liebestod (Act 3) (trans. Lemare/Mottoul for organ)
» Prelude (trans. Edwin Lemare for organ)

Artists

Stephane Mottoul (organ)

Works

Liszt, Franz

Am Grabe Richard Wagners, S202 (arr. Stephane Mottoul)
Evocation a la Chapelle Sixtine, S658
Fantasia and Fugue on 'Ad nos, ad Salutarem undam' by Meyerbeer, S259
Prelude and Fugue on the name B-A-C-H, S260

Wagner, Richard

Der fliegende Hollander (The Flying Dutchman)
» Overture (trans. organ)
Die Meistersinger von Nurnberg
» Prelude to Act 1 (arr. for organ)
Parsifal
» Good Friday Spell (Karfreitagszauber) (arr. Stephane Mottoul)
» Prelude (trans. organ)
Tristan und Isolde
» Isolde's Liebestod (Act 3) (trans. Lemare/Mottoul for organ)
» Prelude (trans. Edwin Lemare for organ)

Artists

Stephane Mottoul (organ)

About

This double-album juxtaposes Franz Liszt's greatest works for organ with several organ arrangements of works by his later son-in-law Richard Wagner. The instrument used was built in 1862 by Friedrich Haas for the Lucerne Hofkirche and is one of the largest organs in Switzerland. Liszt knew the instrument and played it. The fascinating spatial impression created by the organ's sections distributed throughout the church interior is superbly reproduced in the 5.1 surround recording of these two hybrid SACDs.

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