MINIMAL marks the Percussions de Strasbourg's first foray into the world of minimalist music. Faithful to their legendary history, yet open to other sonic horizons, the ensemble asserts a plural identity, nourished by a sensitive dialogue between heritage, aesthetic diversity, and creative freedom. This recording, centred on Steve Reich's famous Mallet Quartet, brings together works such as Avant, pendant, et pourtant by Camille Pépin, where formal rigour and emotion intertwine, and Sunday by Shelley Washington, imbued with a gentle melancholy. Nik Bärtsch adds his rhythmic textures and “ritual groove”. Conceived by Minh-Tâm Nguyen and shaped by the inspired ear of Vincent Peirani, MINIMAL reflects an openness to jazz, pop, and classical influences. It marks a turning point: a record conceived before the stage, envisioned as a living manifesto of contemporary creation.