‘Ellis Island’ is an odyssey in sound, the story of Julia Hamos, a pianist with dual origins who, in this very first album, looks at her family roots, American and Hungarian, and displays a longing for adventure. She looks towards the Hungary of Bartók and Kurtág, engaging in a dialogue with the memory of her ancestors from Transylvania. This journey with its haunting poetry will lead us also to New York, the pianist’s first home, a place of hope and inspiration, which always feeds her creativity.

‘Myself When I Am Real’, by Charles Mingus, bursts forth, a fabulous moment, both poetic and pianistic, the zenith of this unusual and personal journey where the pianist, with a mellow yet clear sound palette, will have brought together in a fluid gesture the waking dreams of Schubert (Ungarische Melodie, 1824), the very earthy and despair-tinged folklore of Bartók (Fifteen Hungarian Peasant Songs) and the torrential and enigmatic explosions of early Kurtág (8 Pieces, op.3).

In this eminently personal journey, however, there is no narcissistic temptation. Because if the young musician plays, she above all wants to speak to us, with modesty, but not without determination. Her piano assembles words, choreographs rhythms and also deploy its range of pastel colours.

This is demonstrated by the subtle selection of Játékok, where the piano will embody a thousand faces, in turn itself (Capriccioso), percussion (Play with Overtones), harp (Perpetuum mobile) or violin duet with viola (Tears).

The two cycles of Bartók, with their characters so ironically sketched (Fifteen Hungarian Peasant Songs) and their sparkling rhythms (6 Dances in Bulgarian Rhythm), are no less alive. From the pianist’s supple playing, from her silky legato, final streaks of melancholy will often escape.

In all respects, ‘Ellis Island’ is a fascinating experience - that of an artist who has found her voice.