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Mahler - Symphonies 8 & 9; Scartazzini - Anima, Enigma | Odradek Records ODRCD466

Mahler - Symphonies 8 & 9; Scartazzini - Anima, Enigma

£22.95

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Label: Odradek Records

Cat No: ODRCD466

Barcode: 0810042704664

Format: CD

Number of Discs: 3

Release Date: 20th June 2025

Contents

Artists

Elisabeth Dopheide (soprano)
Akiho Tsujii (soprano)
Julia Sophie Wagner (soprano)
Marlen Bieber (mezzo-soprano)
Evelyn Krahe (contralto)
Corby Welch (tenor)
Thomas Essl (baritone)
Martin-Jan Nijhof (bass)
Jenaer Madrigalkreis
Knabenchor der Jenaer Philharmonie
Monteverdichor Würzburg
Nationaler Akademischer Knaben- und Mannerchor Lviv ‘Dudaryk’
Opernchor der Theater Chemnitz
Philharmonischer Chor Jena
Jenaer Philharmonie
Robert-Schumann-Philharmonie Chemnitz

Conductor

Simon Gaudenz

Works

Mahler, Gustav

Symphony no.8 in E flat major 'Symphony of a Thousand'
Symphony no.9 in D major

Scartazzini, Andrea Lorenzo

Anima
Enigma

Artists

Elisabeth Dopheide (soprano)
Akiho Tsujii (soprano)
Julia Sophie Wagner (soprano)
Marlen Bieber (mezzo-soprano)
Evelyn Krahe (contralto)
Corby Welch (tenor)
Thomas Essl (baritone)
Martin-Jan Nijhof (bass)
Jenaer Madrigalkreis
Knabenchor der Jenaer Philharmonie
Monteverdichor Würzburg
Nationaler Akademischer Knaben- und Mannerchor Lviv ‘Dudaryk’
Opernchor der Theater Chemnitz
Philharmonischer Chor Jena
Jenaer Philharmonie
Robert-Schumann-Philharmonie Chemnitz

Conductor

Simon Gaudenz

About

Following the success of volumes 1-3, Simon Gaudenz conducts the Jenaer Philharmonie in the fourth of a series of recordings of the complete Mahler symphonies, interspersed with world-premiere recordings of pieces by Andrea Lorenzo Scartazzini that reflect each symphony and pay homage to Mahler's soundworld.

This fourth volume features Mahler's gargantuan Symphony no.8 bookended by Scartazzini's Anima and Enigma, both composed in 2024, before concluding with Mahler's deeply moving and valedictory Symphony no.9.

Mahler's symphonies represent an extraordinary body of work, and it is fascinating to hear them contrasted and commented upon by a new piece specially created to shed light on or pay tribute to that symphony. Since 2018, Andrea Lorenzo Scartazzini has been Composer-in-Residence with the Jenaer Philharmonie, in which role he has been writing these new companion pieces to each of Mahler's symphonies, which are being performed in Jena as a cycle in chronological order.

Reflecting Mahler's use of Goethe's Faust as the inspiration for Part II of his extraordinary Symphony no.8, Scartazzini's Anima is a setting of Goethe's Song of the Spirits over the Waters. Mahler's epic vision for this symphony, at the time marketed as the "Symphony of a Thousand", begins with a setting of the medieval hymn "Veni, veni Creator Spiritus" in a vast work in which the chorus is integral throughout, joined by an orchestra of unprecedented scale and a host of soloists articulating the work's central theme of redemption.

Of Enigma, Scartazzini explains: "My Enigma is more strongly modelled on Mahler's language than any other piece in this cycle. The late Romantic harmony and slow tempo create a reference to the fourth movement of his Ninth Symphony, especially to the final adagissimo bars with which the work fades away. In Enigma, the music rises higher and higher until it finally disappears completely." Mahler's Ninth Symphony is more introspective than the Eighth, with a finale that is one of the most devastatingly beautiful in the repertoire. This latest volume in this series of recordings encapsulates the breathtaking scope that makes Mahler's music so endlessly fascinating.

"A visionary Mahler cycle reaches new heights - Simon Gaudenz and the Jena Philharmonic deliver a thrilling, emotionally charged interpretation of Symphonies 6 and 7, enriched by Scartazzini's hauntingly poetic tributes. A bold, masterful achievement." - Online Merker (Mahler/Scartazzini Vol.3)

"Simon Gaudenz shapes this movement [the finale of Mahler's Third Symphony] in a very inspired way and creates a beautiful mood, completely natural, without any excess. The last movement is so atmospheric and of great, sublime, even poignant and hymn-like calm." - Pizzicato Magazine (Mahler/Scartazzini Vol.2)

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