Vittorio Rieti won esteem for his orchestral music which was conducted by titans such as Toscanini and Stokowski, but the piano remained his greatest musical love. Rieti’s vivid freshness can be appreciated in the selections in this volume, which ranges from the choreographed movement of his late works, including the Variazioni enarmoniche – an example of his elegance, humour and command of variational form – to the deliciously descriptive wit of his early works. Giorgio Koukl, whom The Art Music Lounge called ‘one of the five or six greatest living pianists today’, is once again joined by award-winning pianist, Virginia Rossetti – together they offer ‘an object lesson in duo-piano balance’ (Fanfare on Volume 2 in this series, GP938).

Giorgio Koukl is a Czech pianist/harpsichordist and composer. He studied at both the Conservatories of Zürich and Milan, where he took part in the masterclasses of Nikita Magaloff, Jacques Février, and Stanislaus Neuhaus, and with Rudolf Firkušný, friend and advocate of Czech composer Bohuslav Martinů. It was through Firkušný that Koukl first encountered Martinů‘s music, and he is now considered one of the world’s leading interpreters of Martinů‘s piano music. As a logical continuation of this work, Koukl has recorded the complete solo piano works of Paul Le Flem, Alexander Tcherepnin, Arthur Lourié, Vítězslava Kaprálová, Witold Lutosławski, and more recently, Alexandre Tansman and Tibor Harsányi.

Virginia Rossetti began her piano studies with Massimiliano Ferrati, later attending the ‘Antonio Buzzolla’ Conservatory in Adria where she graduated with honours. She has a Master of Performing Arts with distinction at the Hochschule für Musik in Basel and a Master in Pedagogy at the Conservatorio della Svizzera italiana. Rossetti is a prize winner of several national and international piano competitions including the Premio Venezia 2009, reserved for the best graduates under the patronage of the Republic’s President, and the Premio Marizza in Trieste.