Benjamin Schmid has long been considered one of the most versatile violin virtuosos of our time, being equally at home in the classical as well as in the jazz genre. Following his album with Jazz Violin Concertos, Schmid doubles down with the Salzburg Wind Philharmonic under the direction of Hansjörg Angerer with works by Friedrich Gulda and Kurt Weill. Gulda opened up a new era of musical freedom with his Concerto for Violoncello and wind orchestra (here in a version for violin) at its world premiere in 1981 at the Vienna Konzerthaus in 1981. The zest of pop music, yodeling themes, brass bands from the Salzkammergut, brass music on Kirtag, swing, funk and free-jazz borrowings all come together to create a rousing whole that leaves not a dry eye in the house – with cheerfulness and joie de vivre. With the Violin Concerto, op.12, which was premiered in 1925, came Kurt Weill’s breakthrough. In Weill’s oeuvre this work represents the peak of his avant-garde tendencies: the harmony tells of his admiration of Arnold Schoenberg, the formal characteristics of the influence of Busoni, the often motoric rhythm of the knowledge of Paul Hindemith. Two works for solo violin – For Fritz (dedicated to Fritz Kreisler) by Benjamin Schmid and Youkali by Kurt Weill – complement this brilliant performance.