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Exile: Schnittke, Panufnik, Schubert, Wyschnegradsky, Ysaye | Alpha ALPHA1110

Exile: Schnittke, Panufnik, Schubert, Wyschnegradsky, Ysaye

£13.98

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Label: Alpha

Cat No: ALPHA1110

Barcode: 3701624511107

Format: CD

Number of Discs: 1

Release Date: 24th January 2025

Gramophone Editor's Choice

Contents

About

This programme brings together composers who, for the most part, were compelled to flee their homeland. In 1920, Ivan Wyschnegradsky took refuge in Paris, where he wrote for a quarter-tone piano at a time when, in Russia, the slightest dissonance was considered a political provocation. Andrzej Panufnik left his native Poland in 1954. Alfred Schnittke settled in Hamburg in 1990, eight years before his death, having spent most of his life in the Soviet Union. Although Schubert never moved away from Vienna, the pain and solitude of his inner exile are palpable in his music. Finally, the Belgian violin virtuoso Eugène Ysaÿe emigrated on account of the First World War and it was in the United States, in 1917, that he wrote the melancholy musical poem recorded here, which he called Exil! Is exile nothing but pain and isolation, or also a source of inspiration which, with music, expresses what words cannot say, acting as the ultimate refuge? ‘Let's listen to what they have to say’, suggests Patricia Kopatchinskaja, herself ‘uprooted for ever’. She is joined by cellist Thomas Kaufmann and her friends from Camerata Bern.

Reviews

[Thomas] Kaufmann (Camerata Bern’s chief cellist) gets his best showcase in an orchestral transcription of Alfred Schnittke’s Cello Sonata No 1, climaxed by a sorrowful and eerie slow movement, hard to forget. But it’s PatKop who is everywhere, whether she is leading the Camerata strings, chomping through engaging folk music from Russia, Ukraine and her native Moldova, guiding us through the “existential loneliness” of Schubert in a pensive minuet, or showcasing the melodic strengths of the Polish exile Andrzej Panufnik’s 1971 Violin Concerto.  Geoff Brown
The Times 24 January 2025
Imaginatively arranged by Martin Merker with strings and harpsichord, [Schnittke’s First Cello Sonata] proves most effective in an ominous, even menacing central Presto but, thanks to Thomas Kaufmann, the closing Largo is not without the original’s intensely elegiac strain. A plaintive take on a Moldavian folk tune is no less apposite prior to Panufnik’s Violin Concerto, Kopatchinskaja relishing its initial Rubato’s contrast of the improvisatory and methodical; the Adagio emerges as one of his finest studies in the plangently confessional, which the Vivace counters through its rhythmic infectiousness. ... Any Kopatchinskaja project needs to be judged on its own terms, from which vantage ‘Exile’, recorded with unsparing immediacy and pertinently annotated, is a further essential acquisition from this most questing of present-day musicians.  Richard Whitehouse
Gramophone February 2025

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