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Anja Lechner: JS Bach, CF Abel, Hume | ECM New Series 4875881

Anja Lechner: JS Bach, CF Abel, Hume

£13.98

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Label: ECM New Series

Cat No: 4875881

Barcode: 0028948758814

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 25th October 2024

Contents

Works

Abel, Carl Friedrich

Adagio in D minor for viola da gamba, AbelWV A30
Arpeggio im D minor, WKO205

Bach, Johann Sebastian

Cello Suite no.1 in G major, BWV1007
Cello Suite no.2 in D minor, BWV1008

Hume, Tobias

The First Part of Ayres...
» no.11 Harke, Harke
» no.18 A Pollish Ayre
» no.22 Tom and Mistresse Fine
» no.26 A Question
» no.27 An Aunswere
» no.28 The new Cut
» no.34 Hit it in the middle
» no.39 Touch me lightly

Artists

Anja Lechner (cello)

Works

Abel, Carl Friedrich

Adagio in D minor for viola da gamba, AbelWV A30
Arpeggio im D minor, WKO205

Bach, Johann Sebastian

Cello Suite no.1 in G major, BWV1007
Cello Suite no.2 in D minor, BWV1008

Hume, Tobias

The First Part of Ayres...
» no.11 Harke, Harke
» no.18 A Pollish Ayre
» no.22 Tom and Mistresse Fine
» no.26 A Question
» no.27 An Aunswere
» no.28 The new Cut
» no.34 Hit it in the middle
» no.39 Touch me lightly

Artists

Anja Lechner (cello)

About

For her first solo-violoncello album on ECM’s New Series, Anja Lechner devotes herself to a particularly unique convergence of three composers from vastly different contexts: J.S. Bach, Carl Friedrich Abel and Tobias Hume.

In the past, her extensive discography has captured the cellist as part of the renowned Rosamunde Quartett, as well as alongside seminal artists from both transidiomatic sound worlds and the realm of classical music, gracing her with rare musical farsightedness.

With her distinct perspective on works composed for both violoncello and viola da gamba, Lechner sheds a fresh light on music written within a span of two centuries. Framing the first two solo suites from the famous group of six Bach wrote for the violoncello at its heart, the programme encompasses Abel and Hume compositions, originally conceived for viola da gamba, which are given new colour and breadth through Lechner’s interpretation on cello – in parts newly arranged by herself.

And at the end, as Kristina Maidt-Zinke notes in the album-accompanying liner notes, “one marvels at the lightness and inner logic with which three worlds have ever so gently touched one another”.

The album was recorded at the Himmelfahrtskirche in Munich and produced by Manfred Eicher.

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