The Italian soprano Anita Cerquetti (3 April 1931-11 October 2014) was a phenomenon. Her operatic career began in 1951 in Spoleto, debuting as Aida (!), and took her to the world's great opera houses before ending in Holland in 1960. After just nine seasons, the then 29-year-old singer retired from the stage. There are only two commercial records of her (on Decca); the record companies at the time filled the major soprano roles with Callas or Tebaldi.

But thanks to numerous live recordings which circulated on the black market from the very beginning, Anita Cerquetti is still held in honour today. Why? Because here is a voice that exudes pure sensuality with the most opulent femininity. Because her voice is one of the most beautiful that opera has ever heard: never aggressive, sharp or shrill, but round, soft, lyrical and emphatic. Her voice was practically made for Giuseppe Verdi's romantic heroines - perfectly suited to the softly swinging, melancholy melodic arches of Ernani and Vespri siciliani-Elvira, Amelia in Un ballo in maschera, Don Carlo's Elisabetta, and Leonora in La Forza del destino, even for the formidable octave leaps of the imperious Nabucco-Abigaille.