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Earth, Sea, Air: British Music for Cello and Orchestra | Chandos CHSA5346

Earth, Sea, Air: British Music for Cello and Orchestra

£14.67

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Label: Chandos

Cat No: CHSA5346

Barcode: 0095115534625

Format: Hybrid SACD

Number of Discs: 1

Genre: Orchestral

Release Date: 31st May 2024

Gramophone Editor's Choice

Contents

Artists

Laura van der Heijden (cello)
BBC Scottish Symphony Orchestra

Conductor

Ryan Wigglesworth

Works

Bridge, Frank

Oration (Concerto elegiaco)

Frances-Hoad, Cheryl

Cello Concerto 'Earth, Sea, Air'

Walton, William

Cello Concerto

Artists

Laura van der Heijden (cello)
BBC Scottish Symphony Orchestra

Conductor

Ryan Wigglesworth

About

Laura van der Heijden joins the BBC Scottish Symphony Orchestra and conductor Ryan Wigglesworth for this album of British cello concertos. Frank Bridge’s Oration, composed in 1929–30, was intended as an outcry against the inhumanity of warfare, and a tribute to the victims of the First World War. Its arch-form single continuous movement exhibits the intense chromaticism typical of Bridge’s output from this era.

Commissioned by the Ukrainian-born cellist Gregor Piatigorsky, Walton’s Cello Concerto suffered a number of difficulties with regard to first performances (Piatigorsky suffered a mental breakdown; Walton missed the UK première because of a nasty road accident) but it has nevertheless become a staple of the repertoire. It was with this concerto that Laura van der Heijden won the BBC Young Musician of the Year competition, in 2012.

The young British composer Cheryl Frances-Hoad studied at the Yehudi Menuhin School and then the University of Cambridge and King’s College London, and rapidly established herself as one of the most talented and prolific composers of her generation. Earth, Sea, Air was written for van der Heijden, who gave the work’s première in Glasgow in 2023, a week before making this recording with the same forces.

Reviews

If one were asked to sum up young British cellist Laura van der Heijden’s career to date, then beyond its consistent story of intelligently musical and technically superb playing, and its top-drawer collaborations, it would be the fact that her mantra appears to have always been, ‘Wait, then do it well’. ... It should thus surprise no one that this programme of British music for cello and orchestra is very classy indeed.  Charlotte Gardner
Gramophone July 2024

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