Described by The Herald as Scotland’s leading modern symphonist, composer Thomas Wilson (1927–2001) was central to the renaissance of 20th-century music in Scotland. Wilson’s music was championed by the Royal Scottish National Orchestra throughout his life, so it is fitting that the RSNO has recorded a second volume of his symphonies to showcase the strength and inventiveness of his orchestral writing.

Wilson’s Second Symphony reveals him to be a mature composer, full of intent and confident in his own style. Premiered in 1965 it is a tautly conceived work, darkly powerful in parts but full of colour and lyricism.

The Fifth Symphony was commissioned by the Scottish Chamber Orchestra for their 25th-anniversary season in 1998 and was to be Wilson’s final work. Inspired by the challenge of writing for smaller symphonic forces, Wilson created a piece full of dramatic energy contrasted with moments of breathtaking tranquillity that stands apart from his other symphonies.

Rory Macdonald returns to conduct the RSNO following the critical success of their recording of Wilson’s Third and Fourth Symphonies.

Rory Macdonald stands out as one of the most interesting British conductors of his generation. On the concert podium, highlights include the premiere performances of works by notable composers including Sir James MacMillan, Carl Vine, Sally Beamish and Geoffrey Gordon

The Royal Scottish National Orchestra is one of Europe’s leading symphony orchestras; its artistic team is led by Danish conductor Thomas Søndergård, who was appointed Music Director in 2018. The RSNO has a worldwide reputation for the quality of its recordings, receiving two Diapason d’or de l’année awards and eight Grammy Awards nominations.

“Rory Macdonald draws thrilling, punchy playing from the Royal Scottish National Orchestra ... Fascinating, and a startling introduction to a very individual voice.” – The Arts Desk

“This was a fascinating discovery. Wilson – a 20th-century Scottish composer – has clearly been overlooked. His writing is colourful, dynamic and cinematic ...” – BBC Music Magazine

“Wilson’s is a big, eclectic style, and the performances are arresting.” – The Sunday Times