If the Renaissance can justifiably lay claim to being a golden age for choral music I have long believed that we are currently in a new glittering age of both choral writing and performing. Throughout the world choral standards are ever on the increase and twenty-first-century composers are responding to this by writing exciting and challenging material for choirs, both amateur and professional. Having spent much of my working life in education I have seen this transition from both near and far, and when the opportunity came to form ORA, alongside my management team, I felt it was too good an opportunity to miss to work with some of the UK’s finest consort singers, whilst also contributing to the continuing legacy of choral music. I wanted to set a challenge to the composers we approached to respond to some of the great masterworks from Renaissance times, and to find out how they would individually reflect on these pieces.

For this recording we chose to focus on that towering figure of the English music scene, William Byrd. Starting the recording with an original Renaissance reflection, Byrd’s pairing of his own music to De Monte’s setting of verses from Psalm 137 - one of the most remarkable exchanges in musical history - we centre on his peerless Mass for Five Voices. We asked Roxanna Panufnik, Francis Pott, Alexander L’Estrange, Owain Park and Charlotte Bray to set their own reactions to the individual movements and we are delighted with the varied responses we got - showing the universality of Byrd’s sacred music and its relevance to today’s musicians. We imposed no restrictions, other than length, on our chosen composers in order to gain their truest reactions. The recording closes with possibly Byrd’s most famous work, his setting of the text of Ave Verum Corpus, and we asked the multi-talented musician Roderick Williams to write a setting on the same text. I am so grateful to him, and to all the composers of these wonderful new works, and hope you will be equally entertained and enlightened. - Suzi Digby OBE

Founded in 2014, ORA was born out of a belief that we are in a second golden age of choral music, matching that of the Renaissance. With this in mind, the choir’s performances and recordings showcase classic masterpieces of Renaissance choral music alongside reflections from contemporary composers. The musicians of ORA bring with them a wealth of choral experience that we hope shows these pieces, both new and old, as the stunning works of art that they truly are. Commissioning new choral works and championing contemporary composers is very important to ORA, and the group has a firm commitment to regular commissioning from a wide selection of composers. This ranges from more established and prominent names to lesser-known but equally exciting discoveries.

ORA
Sopranos: Zoe Brown, Julie Cooper, Elizabeth Drury, Camilla Harris, Emilia Morton, Emma Walshe
Altos: David Clegg, Edward McMullan Eleanor Minney, Kim Porter
Tenors: Jeremy Budd, Steven Harrold, Nicholas Madden, Nicholas Todd
Basses: Richard Bannan, Ben Davies, William Gaunt, Edmund Saddington