FREE UK SHIPPING OVER £35!

The Europadisc Review

Bonis: Orchestral Works

Rumon Gamba, Elizabeth Watts (soprano), BBC Scottish Symphony Orchestra (orchestra)

£13.75

Bonis: Orchestral Works

Rumon Gamba, Elizabeth Watts (soprano), BBC Scottish Symphony Orchestra (orchestra)

The continuing rediscovery of the French composer Mel Bonis (1858–1937) has been one of the more rewarding developments on disc in recent years. Long overshadowed by her male contemporaries and hampered by the social constraints imposed upon women composers of her era, Bonis left a remarkably rich catalogue that combines late-Romantic warmth, impressionistic colour and an unfailing gift for melody. This new Chandos release, conducted by Rumon Gamba and performed by the BBC Scottish Symphony Orchestra, offers a persuasive survey of her orchestral music and makes a compelling case for her place among the most distinctive French voices at the turn of the last century. The programme draws together orchestral works composed between the 1890s and the early years of the twentieth century, including the evocative Trois Femmes de légende, Suite orientale, Suite en forme de valses, and several shorter orchestral miniatures.

Rumon Gamba has built a distinguished reputation as a champion of neglected repertoire, and his advocacy here is both affectionate and authoritative. Rather than treating these pieces as historical curiosities, he presents them as living, breathing works of genuine artistic value. The BBC Scottish Symphony Orchestra responds with playing of exceptional refinement and nuance, bringing out the luminous textures and subtle orchestral detail that characterise Bonis’s writing.

In many ways the highlight of the programme is the opening work, Trois Femmes de légende, a group of three short tone poems inspired by Ophelia, Salome and Cleopatra in which Bonis demonstrates an impressive ability to create sharply differentiated musical portraits. Ophélie unfolds in a haze of melancholy and delicate orchestral colouring with ardent tuttis, while Salomé dances with seductive exoticism enhanced by rich impressionistic harmonies. Even more impressive is Le Songe de Cléopâtre, the longest single track on the disc, which reveals Bonis at her most ambitious. Here, Gamba shapes the music’s episodic structure with considerable skill, allowing the drama to build naturally while preserving the work’s dreamlike atmosphere. The orchestra captures both the sensuality and grandeur of the score, producing some of the album’s most memorable moments.

Elsewhere, Bonis’s flair for orchestral colour is consistently evident. Two movements from the Suite orientale (which began life as a chamber work) reflect the fascination with imagined Eastern landscapes that permeated French music of the period. Yet Bonis avoids mere cliché; her writing possesses an elegance and restraint that distinguish it from many contemporary examples of musical orientalism, and the second movement ‘Danse d’Almées’ has a decidedly Gallic flavour. The BBC Scottish players relish the score’s delicate instrumental combinations, and Gamba ensures that rhythmic vitality never comes at the expense of transparency.

The lighter Suite en forme de valses provides a charming contrast. These concise dance movements possess an effortless grace that recalls Chabrier and early Ravel without sounding derivative. They are certainly miles away from Ravel’s Valses nobles et sentimentales, yet they are no less engaging for all that. The orchestra’s phrasing is supple and affectionate, and the recording captures a delightful sense of buoyancy. Particularly enjoyable is the concluding ‘Scherzo-valse’ (‘an absolute charmer’, as Nigel Simeone observes in his excellent and detailed book notes), whose sparkling rhythms and deft orchestration reveal Bonis’s instinctive understanding of the orchestra.

The shorter pieces are no less rewarding. The Trois Danses offer elegant reimaginings of historical dance forms, while the Danse sacrée (originally published alongside the Suite en forms de valses, but rather more serious in mood) unfolds with serene dignity. Les Gitanos, an early piano piece dedicated to Bonis’s father and subsequently orchestrated by Adolphe Gauwin, has an infectious energy and rhythmic flair which make it an ideal bonne bouche with which to close the programme. Throughout these works one is repeatedly struck by Bonis’s melodic generosity and her ability to create vivid atmospheres within relatively compact forms.

Soprano Elizabeth Watts joins Gamba and the orchestra in two vocal works, and her contribution is exemplary. In the touchingly simple Noël de la Vierge Marie she sings with radiant warmth and effortless control. Le Chat sur le toit, a witty setting of verses by Robert du Costal with a rather tortuous genesis, receives a delightfully characterful performance, bringing out all the agility and daring of Bonis’s music (including some deliciously feline string glissandi). Watts avoids excessive sentimentality, allowing the natural charm of the music to emerge and pointing the words to excellent effect. Her voice blends beautifully with the orchestra, and Gamba provides sensitive accompaniment throughout.

The Chandos engineering deserves special mention. Recorded in Glasgow’s City Halls, the sound combines warmth, clarity and impressive dynamic range. Orchestral details are presented with exceptional vividness, yet the overall perspective remains natural and coherent. The recording captures the refined opulence of Bonis’s orchestration without exaggerated spotlighting, allowing listeners to appreciate the subtle craftsmanship of her writing.

This release reveals Bonis not merely as a neglected female composer deserving historical rehabilitation, but as a genuinely accomplished musical personality. Her music may not possess the revolutionary originality of Debussy or Ravel, but it offers something equally appealing: lyrical invention, emotional sincerity and a highly developed sense of colour. Gamba and the BBC Scottish Symphony Orchestra perform with conviction and evident affection, making the strongest possible case for this repertoire.

As interest in Bonis continues to grow, this recording is likely to become a benchmark. It is beautifully performed, expertly recorded and intelligently programmed. Most importantly, it confirms that Mel Bonis’s orchestral music is far more than a historical footnote. It is music of imagination, elegance and enduring charm, presented here in performances that deserve the widest possible audience.

The Spin Doctor Europadisc's Weekly Column

Music of the Iberian Peninsula, Part 3: More observations on the Golden Age 16th June 2026

16th June 2026

Our last visit to the Iberian peninsula, a fortnight ago, was an insanely ambitious, necessarily broad-brush survey of the Spanish and Portuguese Golden Age, covering vocal and instrumental music, the sacred and the secular. This week, we take a more concise and (I hope) focussed look at a few of the sacred vocal masterpieces which exemplify the particular fervour and intensity of this remarkable period of musical history. They reflect the special place the peninsula had as a bulwark against the Reformation that had taken hold in northern Europe, and the especially incandescent nature of its music for the dead as well as is fervent devotion to the Virgin Mary, the Mother of Jesus.
In the first half of the 17th century, Filipe de Magalhães (c.1571–1652) – a compatriot and contemporary of Duarte Lobo and Manuel Cardoso – was arguably the most renowned of Portuguese composers,... read more

View Older Posts

Current bestsellers...

Beethoven: The Violin Sonatas Vol.1

Coming soon...

Wayne Marshall: The Breton Rhapsodies

New box sets...

Haydn
The Complete String Quartets

New Blu-ray Releases...

Ballet to Broadway: Wheeldon Works (Bllu-ray)

Gramophone Record of the Month

£24.79

Played on Record Review

£14.26

Condition	Description
New	Brand new item, only ever sourced from the official UK distributor. Usually seal-wrapped, although a minority of labels do not use seal-wrap.
Used - Mint	Used item in excellent condition. Not usually seal-wrapped.
Used - Good	Used item with some minor signs of wear and tear. Never seal-wrapped.
Used - Acceptable	Used item with obvious scuffs or cosmetic damage to the case or booklet. Never seal-wrapped.

Condition	Description
New	Brand new item, only ever sourced from the official UK distributor. Usually seal-wrapped, although a minority of labels do not use seal-wrap.
Used - Mint	Used item in excellent condition. Not usually seal-wrapped.
Used - Good	Used item with some minor signs of wear and tear. Never seal-wrapped.
Used - Acceptable	Used item with obvious scuffs or cosmetic damage to the case or booklet. Never seal-wrapped.

The Europadisc Review

Bonis: Orchestral Works

£13.75

The Spin Doctor Europadisc's Weekly Column

Music of the Iberian Peninsula, Part 3: More observations on the Golden Age 16th June 2026

Current bestsellers...

£12.83

£16.51

£22.95

£15.59

Coming soon...

£17.43

£26.63

£16.51

£12.83

New box sets...

£66.70

£105.75

£101.15

£39.51

New Blu-ray Releases...

£27.20

£29.39

£29.39

£19.27

Gramophone Record of the Month

Played on Record Review

The Europadisc Review

Bonis: Orchestral Works

£13.75

Bonis: Orchestral Works

The Spin Doctor Europadisc's Weekly Column

Music of the Iberian Peninsula, Part 3: More observations on the Golden Age 16th June 2026

Current bestsellers...

£12.83

£16.51

£22.95

£15.59

Coming soon...

£17.43

£26.63

£16.51

£12.83

New box sets...

£66.70

£105.75

£101.15

£39.51

New Blu-ray Releases...

£27.20

£29.39

£29.39

£19.27

Gramophone Record of the Month

Played on Record Review

Condition Information

Condition Information